13th February 2015

By Jay Dyer

Guest Writer for Wake Up World

One of the more fanciful, or thought to be fanciful, topics I’ve been covering for a good while now is the subject of the relationship of the CIA to Hollywood. 

Recent blockbusters like Zero Dark Thirty and American Sniper focus on the military and intelligence agencies in supposed “based on true events” scenarios, but is more at work here? The film industry has always loved tales of espionage, but in reality, the creation and manufacturing of a completely alternate reality and history is far more extensive than most would assume. While many films have nobly challenged assumptions about war in figures like Kubrick or Stone, for the most part, film has functioned as one of the most powerful forms of propaganda in the western establishment’s arsenal.

Watching some old G.I. Joe cartoon episodes for an upcoming analysis, I was not surprised to find Harvard psychological consultants as part of the production of the show, as reaching the youth with propaganda is central to creating cubicle dwelling automatons later in life. Likewise, researching this as a thesis topic was also instrumental in making these connections, as was the mass of information in Peter Levenda’s Sinister Forces trilogy. More recently, a plethora of news articles have surfaced that highlight this deep relationship, as this rabbit hole never ends. The coalescing of intelligence agencies, secret societies and Hollywood in reality is more sensational than any incestuous cult a pulp crime fiction writer could dream up.

Author John Rizzo has recently published a book titled, Company Man: Thirty Years of Controversy and Crisis in the CIA, which is an amazing admission of this scandalous affair between intelligence and the film industry. The L.A. Times comments:

“The CIA has long had a special relationship with the entertainment industry, devoting considerable attention to fostering relationships with Hollywood movers and shakers—studio executives, producers, directors, big-name actors,” John Rizzo, the former acting CIA general counsel, wrote in his new book, “Company Man: Thirty Years of Crisis and Controversy in the CIA….

The CIA also recruits actors to give more visibility to propaganda projects abroad, such as a documentary secretly produced by the agency, Rizzo said. And the agency sometimes takes advantage of the door-opening cachet that movie stars and other American celebrities enjoy. A star who met a world leader, for example, might be asked for details about that meeting.

The CIA has officials assigned full-time to the care and feeding of Hollywood assets, Rizzo wrote. Other former CIA officials added that some of those operatives work in the Los Angeles office of an agency department called the National Resources Division, which recruits people in the U.S. to help America spy abroad.”

Controlled Commodities

With that in mind, recent news regarding Britney Spears may reveal much more than the headline suggests. Researchers have opined that “rehab” centers may actually be used for “programming” the “stars” for various mind-controlled objectives (as John Marks hints at in his Search for the Manchurian Candidate), whether as sex slaves, or spies, as Rizzo discusses.

Author Dave McGowan has detailed the military and intelligence connections to Laurel Canyon, the home of the budding counter-culture rock movement in the 60s, which spawned acts like Frank Zappa and the Doors. Military and intelligence connections thus come to the fore here with Britney’s ex, who “coached her through rehab”, being killed transporting “dignitaries” in Afghanistan – obviously an intelligence cover. Was Sundahl her helpful boyfriend, or was more at work here?

The notion of mind controlled and Dissociative Identity Disorder/Multiple Personality Disorder actors and singers is something still far-fetched for the masses, yet more and more information supporting this idea continues to come forward.

Quoting the Church Committee hearings on MK Ultra and its attendant programs that relied on the work of famous programmers:

The names associated with the programs are Dr. Ewen Cameron, Dr. Sidney Gottlieb, Dr. Jose Delgado, Dr. Jolyon West, Dr. George Estabrooks, and others. While this itself is easily tracked down in terms of the existence of the programs, what is lesser known are articles like Dr. George Estabrooks’ article from the April 1971 Science Digest, Hypnosis Comes of Age.  Included in the article are some striking admissions, especially since the OSS, CIA and FBI utilized Estabrooks and his skills. The article mentions, first of all, Estabrooks’ claim of the use of secret couriers and keywords that function as the triggers in the operative: The system is virtually foolproof. As exemplified by this case, the information was “locked” in Smith’s unconscious for retrieval by the only two people who knew the combination. The subject had no conscious memory of what happened, so could not spill the beans. No one else could hypnotize him even if they might know the signal phrase.”

Thus, all the way back to World War II the program had been perfected to give handlers the ability to program alters within preselected, highly suggestible individuals. The key trigger words, phrases, signs or codes unlock the alter, with the front persona having no knowledge of the information locked in the alter.  The potential for abuse here is quite obvious. The modern psychiatric “bible,” known as the DSM-V still cites Dr. Estabrooks’ old essay, showing that the present establishment views all this as authentic, as well as a host of films that portray mind control themes. In fact, it seems as if mind controlled assassins and alters are appearing in countless productions with increasing frequency.

Remember – it was Hollywood that was making films about MK Ultra before it was even known to the public as a real program, as we see in the 1962 The Manchurian Candidate.

With this direct Hollywood connection in mind, we can see the likely possibility of the abuse of pop stars, who become high-priced commodities for the same establishment. I have written before about Candy Jones, and all the way up to the present, top stars are now alleging they were abused by their “handlers” and/or producers. While some cases may be publicity stunts, it is hard to believe they all are.

News hounds will recall Amanda Bynes believing she was brainwashed and implanted with a microchip and Ke$ha recently suing for abuse by her “handler”, Dr. Luke, with Luke in turn counter-suing. Prior to that, we have witnessed a barrage of news stories the last few years recounting a stream of victims alleging networks of sickos using and abusing those under them. Let us not forget Penn State and Jerry Sandusky and Jimmy Savile of the UK, as well as a host of UK government officials. Recent reports also arose from actors like Corey Feldman, who alleges similar crimes.

Britney Spears – Alter Egos?

Excerpt from Britney Spears’ 2003 interview with Diane Sawyer.

Mysterious Death

Details surrounding the death of screenwriter Gary Devore (author of Raw Deal and Time Cop) who was killed in 1997 also made the news this week, with the production of a new documentary on his questionable death.

The Daily Mail reveals that Devore was in fact working with the CIA, while the strange dating of the severed hands suggests a possible ritual connection:

“When the skeletal remains of Hollywood screenwriter Gary Devore were found strapped into his Ford Explorer submerged beneath the California Aqueduct in 1998 it brought an end to one of America’s most high-profile missing person cases.

“The fact that Devore was on his way to deliver a film script that promised to explain the ‘real reason’ why the US invaded Panama, has long given rise to a slew of conspiracies surrounding the nature of his ‘accidental’ death. It didn’t help that Devore’s hands were missing from the crash scene, along with the script, and that investigators could offer no plausible explanation as to how a car could leave the highway and end up in the position it was found a year after he disappeared.

“Now the Daily Mail can exclusively reveal that Devore was working with the CIA in Panama and even a White House source concedes his mysterious death bears all the hallmarks of a cover-up.”

Hollywood – the Flip Side of the CIA

In analyzing J.J. Abrams’ Alias, I recently wrote that Jennifer Garner was recruited by the CIA to be a kind of PR front to sell recruitment as glamorous. A few days later, the Washington Post ran a revealing piece entitled “Ex-spies Infiltrate Hollywood as Espionage TV Shows and Movies Multiply”. Although the Washington Post article treats the issue as if this is some new move, we know this is nothing new but a classic dark marriage that existed all along.

Consider the laughable irony here: The Americans is a Hollywood-produced TV show about KGB infiltration of America, screened in the midst of an article about actual CIA usage of Hollywood, as propaganda. As the Post writes:

Hollywood tends to be a destination spot for a lot of Washingtonians,” said David Nevins, the president of Showtime, which produces the spy juggernaut ‘Homeland.’ There was the ‘West Wing’ crowd of former politicos. I’ve met with more than one former Navy SEAL. And now, certainly the intelligence community has been the most recent in a long line of Washingtonians trying to come out and tell their stories.

The show’s creator and co-head writer, Joe Weisberg, is a former CIA officer… Weisberg, whose show begins its third season on FX on Wednesday night, is perhaps the most successful of the CIA alumni who have infiltrated Hollywood. “The Americans”, about two deep-cover KGB operatives living in suburban Virginia in the 1980s, was ranked by many television critics as one of last year’s top 10 shows.

But Weisberg, who left the CIA in 1994, is hardly the only ex-agency guy trying to cash in on the spy show craze. (Spy shows, one executive at a major Hollywood talent agency observed, have become as ubiquitous as cop shows.) Former senior CIA officials Rodney Faraon and Henry “Hank” Crumpton are the executive producers of NBC’s “State of Affairs,” which stars Katherine Heigl as a CIA analyst and member of the agency’s presidential daily briefing team — one of Faraon’s old jobs.

Let us also not forget the role of Melissa Mahle, former CIA operative, in “coaching” and “advising” Council on Foreign Relations (CFR) member Angelina Jolie in her role as triple agent in SALT, the 2010 espionage thriller. The film itself was loosely based on Mahle, as the Telegraph reports:

Jolie’s role is based, loosely, on the experiences of Mahle and other spies. “I was very impressed when I met Angelina”, says Mahle. “She was very intent upon understanding not only what a real CIA officer was like but also the motivations behind our actions.”

Indeed, it is becoming more and more apparent that Hollywood really is the flip side of the CIA, when we think of Ben Affleck doing a film like Argo, based around CIA operative Antonio Mendez, one of the Agency’s Masters of Disguise. Indeed, Affleck revealed to the Guardian that Hollywood is “probably full of CIA”, in the wake of his film about the CIA staging a fake B-movie shooting in Iran.

As these revelations continue to leak, we can expect more evidence to confirm that the dark side of the CIA may run far deeper than even I imagine; especially when we think of individuals like Sammy Davis Jr. and Jayne Mansfield, who were known members of the Church of Satan, as well as a host of other celebrities who fancy dabbling in the occult – for examples, see here and here. In fact, films like Eyes Wide Shut have revealed these very associations, as have films from Black Dhalia to Mulholland Drive to Milla. These CIA/occult connections are real, especially when we understand films like Zero Dark Thirty are in fact pure CIA propaganda fictions.

from:    http://wakeup-world.com/2015/02/13/hollywood-and-the-cia-a-dark-marriage-revealed/